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The 1960s brought hope for the huge Soviet empire - a hope that the regime will become more humane. The optimism and youthful energy of the decade became the prevailing mood. Renewal of life vibrated in Latvia. The newly built Riga Film Studio was a strong impulse to the development of national cinematic art. A new generation full of energy came into the Latvian film industry; they created a style of documentary cinema that we now call Riga poetic documentary cinema (or Riga style).

'Revolution: The Legacy of the Sixties' is an exploration of the 1960s Western cultural revolution as it ushers in our contemporary society. 'Revolution' explores, partly through interviews with many of its key instigators, the ground breaking cultural and social transformation of the 1960s as we get to the root of what changed during that period, and why. To what extent is our society and culture today a product of those changes? What does the 60s generation feel remains to be done today to complete the revolution, 50 years on?

Documents the making of the Doctor Who Serial, 'The Edge of Destruction'. It was released on the DVD of the serial and hence in The Beginning box set.

In a small town where nothing ever happens, the inhabitants learn about a place at the edge of the earth where money and women are abundant. When they see the oportunity to go and work illegaly in the United States, they jump at the chance. Meanwhile Andrés and Gregorio go to the town searching for treasures and they only find Matilde, the rest of the women in the town left, tired of waiting for the men to return.

Alan Garner was the author of The Owl Service, one of the key texts within the recent fad for the English Wyrd. This early 1980’s documentary features Garner talking about his life and influences, and comes loaded with narrated excerpts from his books and eerie musical interludes and recorded screams that are curiously reminiscent of The League Of Gentlemen. Other scenes of Garner wandering around his key sites of inspiration – mainly around Alderley Edge in Cheshire – look like they’re from the early days of pop videos, with shaky hand-held footage and sudden zooms into blacked-out windows and strange rock formations. Somehow it all adds to the sincere intention of introducing Garner’s unusual body of work to the unsuspecting viewer.

Nancy Glenn is a pupil in Pop Hogland's school for crooks. When, attired as a boy named "Spider," Nancy fails at her lessons as a pickpocket, Pop decides to pair her with Pliny Drew, a graduate thief and swindler. Nancy rebels at her proposed partnership with Pliny, and after she is involved in an auto accident and rescued by wealthy young Ralph Harding who takes her to his home to recover, Nancy pretends to have lost her memory. Gradually, Ralph falls in love with the girl, and his mother accepts her as one of the family. However, when Pliny attempts to involve Ralph in a mining swindle, Nancy sacrifices her security and exposes the plan, thus saving her benefactor. Learning of the conditions which drove her into life at the edge of the law, Ralph forgives Nancy and they face a happy life together.

Rural Farming Community, small girl wants to keep a small little creature.

Three men are reunited after 30 years by the echoes of a terrible crime. Old men now, and at the end of the line they are intrigued to meet a young girl named Sarah. Through her they are plunged back into the sordid (and hilarious) belly of Australia's underworld, both past and present.

THE EDGE OF THE WORLD gives a unique insight into the work of Tim Winton, one of Australia’s finest authors. By 1998, when this film was made, Winton had already won the Miles Franklin Award twice (for Shallows, 1984 and Cloudstreet, 1992) and been shortlisted for the Booker Prize for The Riders (1995). In THE EDGE OF THE WORLD, shot partly on the magnificent coast and hinterland of Australia’s north-west, Winton talks frankly about his work, his influences and what drives him.